{"id":52,"date":"2018-10-07T14:58:07","date_gmt":"2018-10-07T14:58:07","guid":{"rendered":"https:\/\/jongillock.com\/2018\/?page_id=52"},"modified":"2024-12-22T15:50:00","modified_gmt":"2024-12-22T15:50:00","slug":"press-reviews","status":"publish","type":"page","link":"https:\/\/jongillock.com\/2018\/","title":{"rendered":""},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 36pt;\"><strong><span style=\"color: #993366;\">Jon Gillock, Organist<\/span><br \/>\n<\/strong><\/span><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 18pt;\"><strong><span style=\"font-size: 14pt; font-family: arial, helvetica, sans-serif; color: #000000;\">Concert Artist &#8211; Master Teacher &#8211; Recording Artist &#8211; Author<\/span><br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: 'book antiqua', palatino, serif;\"><strong><br \/>\n<span style=\"font-size: 18pt;\"><span style=\"color: #993366;\">\u201c\u2026incomparable organist Jon Gillock\u2026a miracle\u2026<\/span><br \/>\n<span style=\"color: #993366;\">the festival\u2019s sublime conclusion!\u2026\u201d<\/span><br \/>\n<\/span><\/strong><\/span><span style=\"font-family: 'book antiqua', palatino, serif; color: #000000;\">American Record Guide, EROI Festival<\/span><\/p>\n<table style=\"width: 100%; border-collapse: collapse;\" border=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 54.390243902439025%;\">\n<p><figure id=\"attachment_24\" aria-describedby=\"caption-attachment-24\" style=\"width: 457px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-24\" src=\"https:\/\/jongillock.com\/2018\/wp-content\/uploads\/2018\/09\/Jon-Gillock-200x300.jpg\" alt=\"\" width=\"457\" height=\"687\" srcset=\"https:\/\/jongillock.com\/2018\/wp-content\/uploads\/2018\/09\/Jon-Gillock-200x300.jpg 200w, https:\/\/jongillock.com\/2018\/wp-content\/uploads\/2018\/09\/Jon-Gillock-768x1152.jpg 768w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/><figcaption id=\"caption-attachment-24\" class=\"wp-caption-text\">Photo: Nicholas Prout<\/figcaption><\/figure><\/td>\n<td style=\"width: 45.609756097560975%;\">\n<p style=\"text-align: right;\"><b><span style=\"font-family: 'book antiqua', palatino, serif;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 14pt; color: #333333;\">\u201cCertain ones [organists] play it better than me. There is the excellent American organist<br \/>\nJon Gillock in New York.\u201d<\/span><br \/>\n<\/span><\/span><\/b><span style=\"font-family: 'book antiqua', palatino, serif; color: #993366;\"><i>Olivier Messiaen\u00a0<\/i>in Claude Samuel\u2019s 1986 book<br \/>\n<i>Entretiens avec Olivier Messiaen<\/i><\/span><\/p>\n<p style=\"text-align: right;\"><strong><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">\u201cUtter authority, sensitivity, and<br \/>\nunderstated brilliance\u2026\u201d<\/span><br \/>\n<\/span><\/strong><span style=\"color: #993366;\"><i style=\"font-family: 'book antiqua', palatino, serif; text-align: right;\">The New York Times<\/i><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: 'book antiqua', palatino, serif;\"><b><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 14pt;\">\u201cOrganist Jon Gillock delivered a <em>tour de force<\/em> of the first magnitude\u2026<\/span><br \/>\n<span style=\"font-size: 14pt;\">a revelatory performance.\u201d<\/span><br \/>\n<\/span><\/b><\/span><i><\/i><span style=\"font-family: 'book antiqua', palatino, serif; color: #993366;\"><i>The Buffalo News<br \/>\n<\/i>North American New Music Festival<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: 'book antiqua', palatino, serif;\"><b><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">\u201cPhenomenal\u2026\u201d<\/span><br \/>\n<\/b><\/span><span style=\"color: #993366;\"><i style=\"font-family: 'book antiqua', palatino, serif; text-align: right;\">Time Out New York<\/i><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><b><span style=\"font-size: 14pt;\">\u201cA miracle of suspended time\u2026\u201d<\/span><br \/>\n<\/b><\/span><span style=\"color: #993366;\"><i style=\"font-family: 'book antiqua', palatino, serif; text-align: right;\">The New Yorker<\/i><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><b><span style=\"font-size: 14pt;\">\u201cA powerful experience\u2026<\/span><br \/>\n<span style=\"font-size: 14pt;\">Masterful musicianship\u201d<\/span><br \/>\n<\/b><\/span><span style=\"color: #993366;\"><i style=\"font-family: 'book antiqua', palatino, serif; text-align: right;\">Kalamazoo Gazette,\u00a0<\/i><span style=\"font-family: 'book antiqua', palatino, serif; text-align: right;\">The Gilmore Festival<\/span><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: 'book antiqua', palatino, serif;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><b><span style=\"font-size: 14pt;\">\u201cA model of sensitive interpretation\u2026\u201d<\/span><br \/>\n<\/b><\/span><span style=\"color: #993366;\"><i>The Diapason<\/i><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center;\"><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 24pt;\"><b><span style=\"font-size: 18pt; color: #993366;\">\u201cThis concert showed me a miracle.\u201d<br \/>\n<\/span><\/b><\/span><span style=\"color: #000000;\"><i style=\"font-family: 'book antiqua', palatino, serif; font-size: 16px;\">The Asahi Shimbun, Tokyo, Japan<\/i><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><b><span style=\"color: #000000;\">\u201c\u2026superb organist Jon Gillock\u2026riveted audience\u2026\u201d<\/span> <span class=\"Apple-converted-space\">\u00a0 \u00a0 <\/span><\/b><span style=\"font-family: 'book antiqua', palatino, serif; color: #993366;\"><i>The New York Times<\/i><\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: 'book antiqua', palatino, serif;\"><b><span style=\"font-family: arial, helvetica, sans-serif; color: #993366;\">\u201c\u2026perception\u2026insight\u2026authoritative, passionate interpretation\u2026<br \/>\nthat passion is infectious in a performance as potent as the one Mr. Gillock produced.\u201d<\/span><br \/>\n<\/b><span style=\"color: #000000;\"><i>The New York Times<\/i><\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><b>\u201cBefore an audience that packed the church, Mr. Gillock played Messiaen\u2019s <em>M\u00e9ditations sur le Myst\u00e8re de la Sainte Trinit\u00e9<\/em>,<br \/>\na 90 minute work in nine parts: music of awesome, mystical, eerie and shattering power\u2026<br \/>\nMr. Gillock\u2019s palpable command of this daunting piece came through in every moment\u2026<br \/>\n<\/b><\/span><span style=\"font-family: arial, helvetica, sans-serif;\"><b>What a privilege to hear Mr. Gillock play this eclectic Messiaen masterwork.\u201d<br \/>\n<\/b><\/span><span style=\"font-family: 'book antiqua', palatino, serif; color: #993366;\"><i>The New York Times<\/i><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: 'book antiqua', palatino, serif;\"><b><span style=\"font-family: arial, helvetica, sans-serif; color: #993366;\">\u201cYou played wonderfully: technique, registration, and especially the spiritual and mystical side which you communicated. Under your fingers, the sublime \u201cmessage\u201d of this music was present. The public felt it with great emotion. The success was immense! I thank you for your talent and your wonderful understanding of this inspired music. Messiaen was present yesterday in each of us!\u2026\u201d<\/span><br \/>\n<\/b><\/span><span style=\"font-family: 'book antiqua', palatino, serif; color: #000000;\"><i>Yvonne Loriod-Messiaen,<br \/>\n<\/i>Festival <b><i>Olivier Messiaen homme de foi: Regard sur son oeuvre d\u2019orgue<\/i><\/b>,<br \/>\nEglise de la Sainte-Trinit\u00e9, Paris, 1995<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><b>\u201cJon Gillock\u2026an awesome executant of Messiaen. [His] performance delivered poetry in the beatific sections and tremendous power in the Gothic sections\u2026an exercise in artistry.\u201d<br \/>\n<\/b><\/span><span style=\"font-family: 'book antiqua', palatino, serif; color: #993366;\"><i>The American Organist,\u00a0<\/i>Centennial National Convention of the American Guild of Organists<\/span><\/p>\n<p><span style=\"background-color: #ffff99; color: #ffff99;\">++++<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jon Gillock, Organist Concert Artist &#8211; Master Teacher &#8211; Recording Artist &#8211; Author \u201c\u2026incomparable organist Jon Gillock\u2026a miracle\u2026 the festival\u2019s sublime conclusion!\u2026\u201d American Record Guide, EROI Festival \u201cCertain ones [organists] play it better than me. There is the excellent American organist Jon Gillock in New York.\u201d Olivier Messiaen\u00a0in Claude Samuel\u2019s 1986 book Entretiens avec Olivier [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-52","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/pages\/52","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/comments?post=52"}],"version-history":[{"count":42,"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/pages\/52\/revisions"}],"predecessor-version":[{"id":412,"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/pages\/52\/revisions\/412"}],"wp:attachment":[{"href":"https:\/\/jongillock.com\/2018\/wp-json\/wp\/v2\/media?parent=52"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}